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wish that the same should alwavs remain with the head of the family.-To Nathaniel Egerton Garrick, a portrait painted by Zoffany, of her husband 'withouta wig.-To St George's Hospital, Middlesex ditto, Lying-in ditto, Magdalea ditto, Refuge for the Destitute, and
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and his wife of their courting days, and of each in middle life, with a later portrait of Gainsborough, by Zoffany. Very fine examples of the Old Masters of the Italian, Flemish, and Dutch Schools are still contained in the
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Squirrel, exhibited lin 1766, Family Portraits, Portraits of the Princesses Amelia, Sophia, and Augusta, and the Death of Major Pierson. Zoffany is fairly represented. There are four pictures by George Morland, two of Gipsies, the Beckoning, and a Sea-shore-Wild Fotwl
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Sir H. Raeburn, full of vitality and verve; and there is an admirable picture of Moody the ; actor, by Zoffany, who, as is well known, had an especial faculty for dramatic gesture and expression. 'Old Coombs,' by 3ogarth, is
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THE THIRD EXHIBITION OF "OLD MASTERS." Nothing could wellbe less academical than the arnange- ment of the 274 pictures, by deceased masters, now on exhibition in the Galleries of the Royal Academy, at Burlington House. The collectionis not merely
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